The themes in hannie rayson's hotel sorrento title: the themes in hannie rayson's hotel sorrento category: / arts & humanities details: words: 1365 | pages: 5 (approximately 235 words/page) hotel sorrento one of hannie rayson's main concerns in her play hotel sorrento is the characters' need to face the truth about themselves and the past.
One of hannie rayson’s main issues in her play hotel sorrento is the characters’ need to face the truth about themselves and the past this issue is present throughout the play through the themes of loyalty and truth and the intimate bond between sisters, to reinforce the powerful link between literature and real life.
Queanbeyan-raised mike smith is back in hannie rayson's play hotel sorrento, where a domestic drama is the prism through which broader concerns are viewed examining a family's past and australia. Hotel sorrento essay hannie rayson uses a typical australian family, the moynihan's, as a basis for questioning as to whether or not australia has developed it's own culture along with other interrelated themes such as ownership, family and literature. Major essay “transformation and the search for truth in hannie rayson’s hotel sorrento” consider rayson’s subtle treatment of the everyday as a means of exploring deeper realities ‘at the core of this play is a family struggling with loyalty, loyalty to each other and loyalty to their own story.
Hannie rayson effectively uses hotel sorrento to explore the themes of loyalty versus truth, the intimate bond between sisters, the nature of australian identity, the relationship between cultural identity and literature, the power of art to transform and the characters' need to face the truth about themselves and the past.
Hotel sorrento - based on hannie rayson's award-winning play, hotel sorrento explores the delicate undercurrent of memories and secrets during a long-overdue family reunion in the sleepy australian seaside town of sorrento, where shadows of the past catch up with three decidedly different sisters.
'hannie rayson’s well-loved hotel sorrento, which premiered onstage in 1991 and was made into a feature film in 1995, explored some immediately identifiable terrain for many audiences when it first appeared it tapped the theme of australian ‘cultural cringe’, the contested ownership of cultural and personal stories and conflict over entitlement and betrayal.